There's
this place in Soho called Gail's. It's a neat Italian café at St.
Anne's Court. They have only one square table in the back of the
store, but several stools along the side. When you take a seat there,
you have a gorgeous wooden herringbone floor under your feet, a
single naked light bulb above your head and a busy counter in your
back.
You'll hear
people greet other people, and other people who place their orders.
The coffee machine grinds roasted beans and the frothing machine does
its part as well. You'll hear shouting voices, laughing voices,
demanding voices. Cups are being put on saucers, tea spoons placed on
their sides. The register springs open and coins are put together to
become change.
But the best
part is the window. Not the window itself, even though it is a nice
window. A clean double-glassed beauty, as wide as two and a half metres,
rimmed in a white wooden frame and split into two, a stagnant higher
half and a lower half that slides up and down when necessary. When
you put your hand near the bottom you can feel the cold from
outside.
No, the best
part is what you see. A narrow alley, perhaps three metres wide, with
an mesmerizing brick wall on the other side. Hundreds of rust-coloured
rocks, bricks of slightly different size, stacked and pasted next to each
other, upon each other, between each other. Weather has left its
marks over many years. Cracks and holes, beige and brown spots. An
amazing wall, it makes you think.
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